Acting FAQ - The Audition Paradigm

Acting Career FAQ - The Audition Paradigm by Bob Fraser
I am often asked about auditioning - 'what's the secret?'
There really aren't any secrets, but here is my memory word to make every audition more successful: PARADIGM.
P - PREPARE.
Preparation usually involves several steps. Here are just a few: Know what you are auditioning for. Ask questions, get information, listen carefully. Familiarize yourself with the script (if there is one). Study the character and make a couple of solid choices as to how you will perform it. If there is no script, but you have a general description of the character you are trying out for, again make some choices.
Plan your trip to the place where the audition is taking place. Have your outfit picked out. Make sure you have gas in the car - or correct change for public transportation.
Plan the day ahead of time. Give yourself plenty of time to get ready (hair, make-up, etc.).
The number one element in a successful audition – that almost all casting directors point to – is PREPARATION.
A - ARRIVE EARLY.
This is a must in our industry. People who show up late are a pain in the ___ (fill in your choice of body part).
Producers hate late. Directors loathe the lackadaisical.
Other actors don't like it much either. Casting directors are unlikely to form a favorable impression of you if you are late. Because if you are cast (on their recommendation) and then you show up late for production, they will get yelled at. CD's don't like getting yelled at. They are unlikely to recommend you - if you are late.
NOTE: Do Not 'sign in' early as this will cause problems with union rules. Get to the location early, but 'sign in'
on time.
The best part of arriving early is you have time to do the next part of a successful audition which is:
R - RELAX.
Being relaxed is important to your results. If you are keyed up, stressed, rushed or still coming down from the trip to the audition – it will cost you. Almost everybody needs some time to 'get ready.' Only you can know how much time you will need, but whatever it is – that's how early you have to get there.
There are about as many techniques for relaxation as there are humans on the planet - so I'll skip listing them. The bottom line? The relaxed actor is the more successful actor.
Why? Because if you are relaxed, you help relieve the natural anxiety the CD or director has in the audition process. Oh, yes, it's tough on them too. If they don't get it right it can ruin an entire production - so, believe me, they are stressed. Relax and the whole world relaxes with you.
A - ACT.
A lot of actors forget the purpose of an audition. The CD's, directors and producers are looking for a performer which means it is important to perform. This is another reason to relax. It's easier to remember to do the job when you are at ease.
D - DEAL.
Every audition is just one of the many you will have in your career. If you are a normal human being you will 'fail' 80% of the time. The best piece of advice about this failure business is given by one of the richest men in the world, Bill Gates; "If you want to be more successful, double your failure rate."
The most difficult thing to 'deal' with in the entertainment industry is the inevitable "I didn't get it" realization.
You must understand that this is going to be the case much more often than not. Rejection is not an easy thing to deal with, but if you want to be a successful actor you must learn to deal with it. It's a central part of a professional acting career.
As I have pointed out, more than once, even successful established actors are rejected a lot. Every time a part is being cast (say, Batman or Scarlett O'Hara) there are hundreds of professional, money-earning, stars who are dismissed as possibilities and dozens of others who meet the producers and find out later - "I didn't get it."
Dealing with rejection is crucial to your eventual success.
So, deal with it.
I - IMPRESS.
If you accomplish the goals on this list, you will impress the people doing the casting. You will be considered a 'pro.'
Professionalism is the word you always want attached to your efforts. This will happen if you are on time, prepared, entertaining, relaxed and able to deal with the inevitable rejection. That's your goal in every audition - to impress them with your professional attitude.
Even if you don't get this one, when you impress the CD, the director or the producer with your professionalism, they will think of you for something else. Guaranteed.
G - GRACE.
Gracious people have the edge. We like them, we trust them, we want to work with them. Be polite. Remember people's names.
Be helpful. Listen carefully. Follow directions. Don't impose your 'neediness' on the CD.
You will always leave a good impression if you are gracious to other people in the business.
Think Cary Grant or Audrey Hepburn.
Your mantra should be: "I'm nice to other people."
M - MANIPULATE.
If you hope to succeed you will probably need to manipulate somebody.
Of course, there is only one human being you have ANY control over, and have ANY hope of manipulating: Yourself.
If you are a poor planner, you must manipulate your mind set to correct this deficiency. If being turned down puts you in a deep funk, you must manipulate your reaction. If you panic, you should manipulate your mental state until this is not a problem.
In other words, don't waste a minute of your time trying to find the 'reasons' behind someone else's decision and attempt to change her mind. Take a step back from every 'failure'
and discover what needs manipulating in your own actions and reactions.
You can only change the world by changing yourself.
That's the AUDITION PARADIGM.
Is it easy to do all these things? No way. If it were easy, everyone would be a successful actor and we'd have a hard time finding folks to wait tables and type annual reports.

But make no mistake, you will accomplish all you want, once you set your mind to it.
The important words in that last sentence are "set your mind to it."
Go ahead. You can do it if you really want to.
Much Success,
Bob Fraser